greatamazingfeelingsboy: (smirk)
It's New Years Eve, and Neil had made it pretty clear that the closer it got to midnight, the more dangerous Darrow became. Last year, Caleb hadn't even bothered with New Years. It'd been barely a month after he'd arrived, and he'd still been reeling with confusion and loneliness and fear.

That feels like a lifetime ago, now.

Now, he has a boyfriend. He's got friends, here, some of the best friends he's ever known. He still misses his family. Christmas had been hard in its own way, with them not here. But the 'transplants' or 'immigrants' or whatever the appropriate term for people like him is, they all stick together, and that makes their bonds impossibly strong — stronger than the bonds he'd had with people back home. He's building a new family.

Tonight is about celebrating those bonds.

He could've hosted the party at High Gate, but the truth is, he'd wanted to stay close to Dani. He'd known she wouldn't come even before he'd invited her, no matter where it's held. Here, at least, he can duck out and head to her apartment to check on her — and if she really wants to be alone, he'd feel that before he'd even reach the door, and he could leave a little note for her, or something.

It's a bonus that the apartment happens to also be home to two of the most important people in Caleb's Darrow life. He gets most of the stuff — paper plates, napkins, cutlery — set up early, so if anyone wants to head out to enjoy whatever fun's going on after sundown, they can. The important thing is to be back before midnight, so they could, in theory, be safe. Caleb had made sure that Rosie and Neil knew to invite anyone they wanted, and he'd sent out a few invites, as well (with the promise that he really, really won't be offended if they say no), and he makes sure there're drinks and snacks to suit a variety of palates.

Including alcohol. Not much, but it's there, and he makes sure to promise Neil to distance himself if he starts to feel too swirly. He can handle himself, and anyway, the important thing is for everyone to have safe, healthy fun with their friends and loved ones.

[ HAPPY NEW YEAR! Micro-gathering at Candlewood #8B! For friends of Rosie, Neil, and Caleb, in the event you wish to hide away from the Darrow shenanigans. Tag in, tag around, have fun! Timed to begin at 10PM, and will be linked for January reqs. ]
greatamazingfeelingsboy: (grimace)
timed to March 12

Michael's back at the shop, but it's mostly just short shifts here and there. Today in particular, he and Caleb are working on an old rust bucket that someone wants to get road-worthy. It's not possible, but they'd been told to at least try.

Whatever, they're getting paid.

There's a bracket in the engine that holds the battery in place. Caleb's learned by now that not all cars have this bracket in this particular configuration, but he's also learned that this particular configuration is an absolute bitch to deal with.

He should ask Michael to use his powers, to get the bracket out. He'd be able to, with ease, probably. But there are too many people around. The shop is unusually busy, and although everyone has their own projects, Caleb's worried he'll be seen. So he doesn't ask, just keeps fucking with the bracket.

It finally gives, but it's unexpected and abrupt, and Caleb sort of yelps, falling forward. Then he freezes as pain shoots through his arm. He carefully tries to pull his arm out, but it's stuck. Fuck. Panic rises like bile and he looks around for Michael.
greatamazingfeelingsboy: (smirk)
"I have a couple hours before work tomorrow. You can come over?"

That's how it starts. Clint needs some help on an art project, and Caleb isn't an artist by a long shot (which he warns Clint about plenty), but he does remember all the stuff he and Chloe talked about, and when Clint hears that, he seems to think it's enough knowledge for Caleb to be helpful.

So, on Saturday morning before Caleb goes to the shop, Clint comes to the apartment. Caleb has double- and triple-checked that the spare room door is locked. He's covered anything that gives off too much of its own light (which is so weird, and so cool), and on top of installing the locking doorknob, he'd also installed privacy stripping along the bottom.

He won't let Michael's secret get out. Not after everything.

Clint and Caleb are sitting on the couch. There's some TV show streaming on FilmFix while they work. On the coffee table in front of them is a box of Sharpie markers in all sorts of colors, a sketch of Clint's idea, and the final piece he's going to be inking.

"I feel like you should've sprung the extra few bucks for actual art markers," Caleb says. "You're not gonna get shit done for shading with these."

Clint rolls his eyes, but laughs.

"I'm not planning on shading," he says. "I want to do something flatter, y'know? Starker. Something that'll stand out from the rest of the class."

Clint doesn't want to go to art school, but he has ideas about art that a lot of the more pretentious kids in their grade don't seem to. He's talking about it now, and Caleb should be listening, but instead, he's losing himself in the rhythm of Clint's voice. He's drawn into the heady, exciting swell of the passion Clint's feeling. Clint is gesturing as he speaks, voice rising when he starts to get enthusiastic, and lowering again when he feels self conscious. It's adorable.

Caleb's starting to stare, he knows it, so he clears his throat and tries to deflect with a joke.

"Don't you think you stand out enough already?"

"Why, 'cause I'm queer, or 'cause I'm black?" Clint asks. There's a kind of wry, challenging smile on his face, and now it's Caleb's turn to roll his eyes.

"No? Dude, you know that's not what I meant," Caleb says, and pelts a marker at Clint's chest.

"No, I really don't," he says, all faux innocence. "Tell me, Michaels, how do I 'stand out enough already'?"

Caleb feels caught. Clint's playful joy is floating on butterflies that are becoming way too familiar, way too comfortable, in Caleb's ribs. He feels his face heating, and he tries to laugh it off.

"I just— hello, you're the star quarterback. Literally every girl in school that isn't a lesbian wants to date you."

"Yeah, well, it's not the girls I'm interested in," he reminds.

The butterflies surge again. Clint's watching him with dark, hopeful eyes. He doesn't feel the hope, but he can see it. Clint doesn't dare to hope, Caleb realizes. He shakes his head and looks at the project in front of them. He can feel Clint watching him, and he needs to get this back on track before something happens.

"Here, gimme that marker back, I'll start the outline," he says, reaching for it.

"Nah, it's mine now," Clint says. His amusement rises up and crystallizes when Caleb looks at him. "Shouldn't have thrown it at me," he points out, and Caleb rolls his eyes and laughs.

"Dude," he argues, and reaches for it again.

Clint jerks it out of his reach, and when Caleb reaches for it again, tucks it behind himself. Caleb huffs a disbelieving laugh. He stretches to reach around Clint's other side. Clint laughs and twists to dodge.

The ensuing struggle is ridiculous, but Clint's joy is contagious as they wrestle for the marker.

Caleb's not sure how, or when, it happens, but he finds himself leaning over Clint, his arm pinned beneath Clint's body, their fingers tangled around the marker. Their breath is coming faster, heavier, from the exertion of their weird little wrestling match, but they're staring at each other.

For a long, weighty moment, Caleb is reminded of Sadie Hawkins, and leaning over Adam, and how he'd had no idea how close they'd come to kissing. This is different. He can tell, now. He recognizes the feeling that says 'I want to kiss him' in a way that he hadn't back then.

But he still doesn't know what to do about it.

Clint does. He stretches up, pressing his lips to Caleb's like he knows exactly what he wants.

* * *

Caleb doesn't know how long they spend kissing. But when his work alarm goes off, telling him to get his ass to the shop so he isn't late, he jerks back. Clint's surprise settles next to his own, making his heart pound all the harder, and with a curse he turns to grab his phone off the coffee table.

"Fuck, I gotta go," he says. Clint's disappointment paws at him. "I'm gonna be late," he explains, scrambling off the couch. "Um, just... Lock up when you leave, okay?"

"Caleb—" Clint tries, but Caleb's already rushing to the door.

"I'll see you on Monday!" he says, letting the door fall shut behind him.

He's a fucking coward, but he really is going to be late for work.
greatamazingfeelingsboy: (in the ocean)
mid-Jan

Michael isn't doing too hot. Which, fuck, of course he isn't. He'd been literally abducted, cut into, cut open, studied, like some fucking science experiment straight out of any sci-fi movie. Of course he isn't doing well. But he's not even talking. Caleb's so worried about him that he's taken off from school for the rest of the week, and he visits whenever he can handle it.

Right now, he steps into the apartment with a wan smile at Alex, and he follows Michael's feelings into the bedroom. They're muffled — acetone, Caleb's pretty sure — but ever since that weird moment in the lab, when he'd felt Michael reach out, Caleb's had an even stronger connection with him. The acetone does nothing to really hide the feelings from him.

One of the dining room table chairs is by the bed, because Caleb sometimes stays for a long time. He wishes Dr. Bright were here. If anyone could be trusted with Michael's secret, it'd be her, and she'd be able to help him through this. Caleb isn't equipped for this beyond his ability, and he's not even sure he's actually helping.

He sits in the chair, draping his jacket against the back of it, and looks at Michael, allows himself to tune into his frequency.

'Fucked up' doesn't even really cover it.
greatamazingfeelingsboy: ([femswap] SIGH)
early Jan

Being in a feminine body is... different, but not bad. Now that he's been assured that, yes, this is a thing Darrow does, and, yes, he's going to change back, Caleb's taken the time to sort of... get used to the idea. He's still pretty tall, though not over six feet anymore. Rosie had helped him get his hair into a ponytail so it's not in his face, and then she'd blessedly helped him buy clothes so he didn't feel totally weird.

He doesn't really want to talk about the bra experience.

But it's Saturday, so now he has to face Michael. He hadn't been anticipating that. He'd ended up trying to call him, but, of course, it went to voicemail. He was the worst. So, dressed in his new, much better fitting clothes, Caleb makes his way to the shop.

Tim greets him like always, with a smile and a "Hey, Kid," and doesn't seem to think there's anything weird about Caleb being girl-shaped. That's... kinda weird.

"Hey," he greets, still a little thrown off by the sound of his new voice. Then he makes his way back to the car he and Michael have been working on.

He braces himself for Michael's feelings, squares his shoulders, and calls out another "Hey," loud enough for Michael to hear him.
greatamazingfeelingsboy: (distant)
Dec 21

Working on the car is a regular thing. Caleb has therapy on Sundays, and he works with Michael on the car on Fridays and Saturdays. Clint and the guys have invited Caleb out with them more than once since the dance, but Caleb is feeling a little... crowded by them.

By Clint.

Clint really likes Caleb, and it's weird. Not bad-weird, like Caitlin's butterflies, but also not good-weird, like Adam's. Just... weird. So he's bowed out, but he texts Clint regularly so he doesn't think Caleb hates him, or regrets dancing with him, or anything. They're friends. Caleb doesn't want him to think they're not.

Today, he's going into the shop, but with a different purpose in mind. He's got his school bag, but instead of his textbooks in it, he has the books he'd bought at the bookstore earlier in the week.

"Hey, Kid," one of the other shop guys greets. Tim, Caleb thinks his name is. "Michael's back by the car."

"Cool, thanks," Caleb says. It's weird to him, but in kind of a cool way, that the guys Michael works with are starting to recognize him.

He makes his way towards the car, because he knows which one Tim was talking about, and the closer he gets, the more easily he feels Michael's red coming out to meet him. He smiles at the familiarity, and sets his bag down near the car so he can examine how much work they've done so far.
greatamazingfeelingsboy: (grimace)
He's not new, not exactly. Caleb's been here maybe a month or two longer than him, but he's the latest new kid to come to the city, so he's still The New Kid. His emotions are always a swirl of hope/boredom/excitement, tinged slightly with a bitter edge, like he's constantly got a bad taste in his mouth, or something. There's more to it, but Caleb can't pinpoint it. He's furtive, distrustful, but it's not an active thing. It's always under the surface, this dark plum purple that's not fear but not suspicion, either.

Wariness, he thinks.

His name is Michael Guerin, and Caleb hates the days he's not in class. His feelings are always so easy to latch onto, because he never has to try. He doesn't stress out. Class is easy for him, but he's going to fail out if he doesn't start participating, which is why Dufresne had suggested him when she'd told Caleb he should look into tutoring.

It's not like Caleb is dumb. He's usually a pretty good student. But he's under eighteen, so he still lives at the Children's Home. He's surrounded by pubescent kids, some of whom don't know how to control their urges, some of whom never fucking sleep, which means Caleb gets, maybe, two hours a night. He goes to school exhausted, has no focus, and has stopped being able to balance the most basic emotions. So his grades are slipping. If they keep slipping, he's going to be kicked off the team, which he really, really doesn't want, so he finds himself outside the auto shop some of the music kids said Michael works at part time, staring at the door like it might swallow him.

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Caleb Michaels

October 2022

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