Caleb Michaels (
greatamazingfeelingsboy) wrote2019-02-28 02:16 pm
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He's not new, not exactly. Caleb's been here maybe a month or two longer than him, but he's the latest new kid to come to the city, so he's still The New Kid. His emotions are always a swirl of hope/boredom/excitement, tinged slightly with a bitter edge, like he's constantly got a bad taste in his mouth, or something. There's more to it, but Caleb can't pinpoint it. He's furtive, distrustful, but it's not an active thing. It's always under the surface, this dark plum purple that's not fear but not suspicion, either.
Wariness, he thinks.
His name is Michael Guerin, and Caleb hates the days he's not in class. His feelings are always so easy to latch onto, because he never has to try. He doesn't stress out. Class is easy for him, but he's going to fail out if he doesn't start participating, which is why Dufresne had suggested him when she'd told Caleb he should look into tutoring.
It's not like Caleb is dumb. He's usually a pretty good student. But he's under eighteen, so he still lives at the Children's Home. He's surrounded by pubescent kids, some of whom don't know how to control their urges, some of whom never fucking sleep, which means Caleb gets, maybe, two hours a night. He goes to school exhausted, has no focus, and has stopped being able to balance the most basic emotions. So his grades are slipping. If they keep slipping, he's going to be kicked off the team, which he really, really doesn't want, so he finds himself outside the auto shop some of the music kids said Michael works at part time, staring at the door like it might swallow him.
Wariness, he thinks.
His name is Michael Guerin, and Caleb hates the days he's not in class. His feelings are always so easy to latch onto, because he never has to try. He doesn't stress out. Class is easy for him, but he's going to fail out if he doesn't start participating, which is why Dufresne had suggested him when she'd told Caleb he should look into tutoring.
It's not like Caleb is dumb. He's usually a pretty good student. But he's under eighteen, so he still lives at the Children's Home. He's surrounded by pubescent kids, some of whom don't know how to control their urges, some of whom never fucking sleep, which means Caleb gets, maybe, two hours a night. He goes to school exhausted, has no focus, and has stopped being able to balance the most basic emotions. So his grades are slipping. If they keep slipping, he's going to be kicked off the team, which he really, really doesn't want, so he finds himself outside the auto shop some of the music kids said Michael works at part time, staring at the door like it might swallow him.
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The alien, going home.
"So you're just good with being here, hanging out?" It's not accusatory, more a real question.
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That's more than he'd meant to say, and Caleb huffs an exhausted half-sob as he sits in the booth again, this time across from him, like he's just too tired to even stand anymore. He rubs his face and curses softly into his palm.
"I'm, I'm sorry, you don't need my shit."
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Michael gets it, he does. It's nice and decent in Darrow most days, but the winters have been shit and he doesn't sleep so well when it gets too cold, but Caleb's at the group home. It's warm there, they even feed you and give you cash.
If it weren't for his bad experiences with homes, Michael might even be there. He settles the pencil on the table, shifting to lift up his knees, looking him over, reaching to lightly touch Caleb's shoulder, just to get his attention. "You look pretty normal to me."
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It's the opposite.
"Move," he says, nudging at Caleb's hip with the tip of his boot. "I know a thing or two about being so exhausted you can't think," he guarantees. "You know what always made me feel better? The other kids at the home would curl in with me. All that warmth, all that hum of noise gone, and then I could sleep."
He prods again, trying to make it clear with a single look that this is his intention for Caleb.
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"No, I, I can't, it's too loud there," he argues, a little desperately. He just needs to be somewhere quiet, somewhere alone, and he can't get that surrounded by other teenagers. "They, they all have their own problems, and someone's always awake, and I can't—" He shakes his head.
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That's the one non-negotiable thing.
They're going somewhere where Caleb can sleep. "I'm waiting for options, otherwise, come on." If he still had his truck from home, maybe that could work, but the bench seats in this one have a center console, so they can't stretch out.
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He doesn't mean that. He's just fucking tired.
Flo approaches with the check, but Caleb's wan, apologetic smile is enough for her to rip it in two.
"On the house, Kiddo," she says. "Go take care of whatever you need to take care of."
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"Cool," is all he says, and pushes at Caleb, frantic to get out of there now, trying not to relive old wounds, but finding it difficult not to. "Let's get out of here, okay?"
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"Wait, why are you mad?" he asks, too tired to edit himself.
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"I didn't say I was mad," he says, and throws Caleb a suspicious look, wondering where that came from.
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He had his fries and his shake, he knows better than to take too much, when he can't offer anything back, and he needs to save his money for a place of his own.
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Caleb's going to be more comfortable in a bed, he thinks, and he reaches over to give him a light shake. "Hey," he murmurs. "Wake up, sleeping beauty, we're here."
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"Fuck, that didn't take long," he mumbles.
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They might make a few comments about the fact that Michael's back after signing his emancipation papers, but he's allowed to visit, he figures. "I bet I can get you right back to sleep in there."
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"Here," he says, knowing that no one uses it. He used to stash booze here, if he needed a hit, and he knows there's only the one bed in the room.
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With a heavy sigh, he stares up at the ceiling, but any trace of that easy sleep he'd had in Michael's truck is gone, replaced by tension in his jaw, shoulders, and forehead.
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"Come on," he says. "I sleep better with someone holding onto me, get down here." It's not even sexual, not this. His best sleep had always been when someone at the home let him glom on, whether it was Max and Isobel, or one of the other long-term kids.
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"What, like, you're the little spoon?" he asks, a little confused and too tired to keep up, really.
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Sort of like white noise, he figures.
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