Caleb Michaels (
greatamazingfeelingsboy) wrote2020-02-01 04:41 pm
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"I have a couple hours before work tomorrow. You can come over?"
That's how it starts. Clint needs some help on an art project, and Caleb isn't an artist by a long shot (which he warns Clint about plenty), but he does remember all the stuff he and Chloe talked about, and when Clint hears that, he seems to think it's enough knowledge for Caleb to be helpful.
So, on Saturday morning before Caleb goes to the shop, Clint comes to the apartment. Caleb has double- and triple-checked that the spare room door is locked. He's covered anything that gives off too much of its own light (which is so weird, and so cool), and on top of installing the locking doorknob, he'd also installed privacy stripping along the bottom.
He won't let Michael's secret get out. Not after everything.
Clint and Caleb are sitting on the couch. There's some TV show streaming on FilmFix while they work. On the coffee table in front of them is a box of Sharpie markers in all sorts of colors, a sketch of Clint's idea, and the final piece he's going to be inking.
"I feel like you should've sprung the extra few bucks for actual art markers," Caleb says. "You're not gonna get shit done for shading with these."
Clint rolls his eyes, but laughs.
"I'm not planning on shading," he says. "I want to do something flatter, y'know? Starker. Something that'll stand out from the rest of the class."
Clint doesn't want to go to art school, but he has ideas about art that a lot of the more pretentious kids in their grade don't seem to. He's talking about it now, and Caleb should be listening, but instead, he's losing himself in the rhythm of Clint's voice. He's drawn into the heady, exciting swell of the passion Clint's feeling. Clint is gesturing as he speaks, voice rising when he starts to get enthusiastic, and lowering again when he feels self conscious. It's adorable.
Caleb's starting to stare, he knows it, so he clears his throat and tries to deflect with a joke.
"Don't you think you stand out enough already?"
"Why, 'cause I'm queer, or 'cause I'm black?" Clint asks. There's a kind of wry, challenging smile on his face, and now it's Caleb's turn to roll his eyes.
"No? Dude, you know that's not what I meant," Caleb says, and pelts a marker at Clint's chest.
"No, I really don't," he says, all faux innocence. "Tell me, Michaels, how do I 'stand out enough already'?"
Caleb feels caught. Clint's playful joy is floating on butterflies that are becoming way too familiar, way too comfortable, in Caleb's ribs. He feels his face heating, and he tries to laugh it off.
"I just— hello, you're the star quarterback. Literally every girl in school that isn't a lesbian wants to date you."
"Yeah, well, it's not the girls I'm interested in," he reminds.
The butterflies surge again. Clint's watching him with dark, hopeful eyes. He doesn't feel the hope, but he can see it. Clint doesn't dare to hope, Caleb realizes. He shakes his head and looks at the project in front of them. He can feel Clint watching him, and he needs to get this back on track before something happens.
"Here, gimme that marker back, I'll start the outline," he says, reaching for it.
"Nah, it's mine now," Clint says. His amusement rises up and crystallizes when Caleb looks at him. "Shouldn't have thrown it at me," he points out, and Caleb rolls his eyes and laughs.
"Dude," he argues, and reaches for it again.
Clint jerks it out of his reach, and when Caleb reaches for it again, tucks it behind himself. Caleb huffs a disbelieving laugh. He stretches to reach around Clint's other side. Clint laughs and twists to dodge.
The ensuing struggle is ridiculous, but Clint's joy is contagious as they wrestle for the marker.
Caleb's not sure how, or when, it happens, but he finds himself leaning over Clint, his arm pinned beneath Clint's body, their fingers tangled around the marker. Their breath is coming faster, heavier, from the exertion of their weird little wrestling match, but they're staring at each other.
For a long, weighty moment, Caleb is reminded of Sadie Hawkins, and leaning over Adam, and how he'd had no idea how close they'd come to kissing. This is different. He can tell, now. He recognizes the feeling that says 'I want to kiss him' in a way that he hadn't back then.
But he still doesn't know what to do about it.
Clint does. He stretches up, pressing his lips to Caleb's like he knows exactly what he wants.
* * *
Caleb doesn't know how long they spend kissing. But when his work alarm goes off, telling him to get his ass to the shop so he isn't late, he jerks back. Clint's surprise settles next to his own, making his heart pound all the harder, and with a curse he turns to grab his phone off the coffee table.
"Fuck, I gotta go," he says. Clint's disappointment paws at him. "I'm gonna be late," he explains, scrambling off the couch. "Um, just... Lock up when you leave, okay?"
"Caleb—" Clint tries, but Caleb's already rushing to the door.
"I'll see you on Monday!" he says, letting the door fall shut behind him.
He's a fucking coward, but he really is going to be late for work.
That's how it starts. Clint needs some help on an art project, and Caleb isn't an artist by a long shot (which he warns Clint about plenty), but he does remember all the stuff he and Chloe talked about, and when Clint hears that, he seems to think it's enough knowledge for Caleb to be helpful.
So, on Saturday morning before Caleb goes to the shop, Clint comes to the apartment. Caleb has double- and triple-checked that the spare room door is locked. He's covered anything that gives off too much of its own light (which is so weird, and so cool), and on top of installing the locking doorknob, he'd also installed privacy stripping along the bottom.
He won't let Michael's secret get out. Not after everything.
Clint and Caleb are sitting on the couch. There's some TV show streaming on FilmFix while they work. On the coffee table in front of them is a box of Sharpie markers in all sorts of colors, a sketch of Clint's idea, and the final piece he's going to be inking.
"I feel like you should've sprung the extra few bucks for actual art markers," Caleb says. "You're not gonna get shit done for shading with these."
Clint rolls his eyes, but laughs.
"I'm not planning on shading," he says. "I want to do something flatter, y'know? Starker. Something that'll stand out from the rest of the class."
Clint doesn't want to go to art school, but he has ideas about art that a lot of the more pretentious kids in their grade don't seem to. He's talking about it now, and Caleb should be listening, but instead, he's losing himself in the rhythm of Clint's voice. He's drawn into the heady, exciting swell of the passion Clint's feeling. Clint is gesturing as he speaks, voice rising when he starts to get enthusiastic, and lowering again when he feels self conscious. It's adorable.
Caleb's starting to stare, he knows it, so he clears his throat and tries to deflect with a joke.
"Don't you think you stand out enough already?"
"Why, 'cause I'm queer, or 'cause I'm black?" Clint asks. There's a kind of wry, challenging smile on his face, and now it's Caleb's turn to roll his eyes.
"No? Dude, you know that's not what I meant," Caleb says, and pelts a marker at Clint's chest.
"No, I really don't," he says, all faux innocence. "Tell me, Michaels, how do I 'stand out enough already'?"
Caleb feels caught. Clint's playful joy is floating on butterflies that are becoming way too familiar, way too comfortable, in Caleb's ribs. He feels his face heating, and he tries to laugh it off.
"I just— hello, you're the star quarterback. Literally every girl in school that isn't a lesbian wants to date you."
"Yeah, well, it's not the girls I'm interested in," he reminds.
The butterflies surge again. Clint's watching him with dark, hopeful eyes. He doesn't feel the hope, but he can see it. Clint doesn't dare to hope, Caleb realizes. He shakes his head and looks at the project in front of them. He can feel Clint watching him, and he needs to get this back on track before something happens.
"Here, gimme that marker back, I'll start the outline," he says, reaching for it.
"Nah, it's mine now," Clint says. His amusement rises up and crystallizes when Caleb looks at him. "Shouldn't have thrown it at me," he points out, and Caleb rolls his eyes and laughs.
"Dude," he argues, and reaches for it again.
Clint jerks it out of his reach, and when Caleb reaches for it again, tucks it behind himself. Caleb huffs a disbelieving laugh. He stretches to reach around Clint's other side. Clint laughs and twists to dodge.
The ensuing struggle is ridiculous, but Clint's joy is contagious as they wrestle for the marker.
Caleb's not sure how, or when, it happens, but he finds himself leaning over Clint, his arm pinned beneath Clint's body, their fingers tangled around the marker. Their breath is coming faster, heavier, from the exertion of their weird little wrestling match, but they're staring at each other.
For a long, weighty moment, Caleb is reminded of Sadie Hawkins, and leaning over Adam, and how he'd had no idea how close they'd come to kissing. This is different. He can tell, now. He recognizes the feeling that says 'I want to kiss him' in a way that he hadn't back then.
But he still doesn't know what to do about it.
Clint does. He stretches up, pressing his lips to Caleb's like he knows exactly what he wants.
Caleb doesn't know how long they spend kissing. But when his work alarm goes off, telling him to get his ass to the shop so he isn't late, he jerks back. Clint's surprise settles next to his own, making his heart pound all the harder, and with a curse he turns to grab his phone off the coffee table.
"Fuck, I gotta go," he says. Clint's disappointment paws at him. "I'm gonna be late," he explains, scrambling off the couch. "Um, just... Lock up when you leave, okay?"
"Caleb—" Clint tries, but Caleb's already rushing to the door.
"I'll see you on Monday!" he says, letting the door fall shut behind him.
He's a fucking coward, but he really is going to be late for work.
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"Hey, man," he says, after getting the answering machine. "Sorry it's last minute, I just realized you might head to the shop, but I'm not gonna be there. It's uh, it's still too soon," he says roughly. He's not entirely sure he'll ever be ready. "But if you want to hang out, our door's always open."
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"Fuck, shit," he murmurs, and listens to the voicemail, heart in his throat.
But it's fine, right? Michael wouldn't leave a voicemail if he couldn't leave a voicemail. He doesn't relax until he hears his voice, and he slows to a stop as he listens to the explanation, and the hanging invitation.
A small smile pulls at the corners of his mouth, and he pulls his phone down to text Michael a quick 'omw' before re-routing to Ocean View.
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He glances to his phone when it pings, using his powers to unlock the door with his mind so Caleb can come in, reaching for a screwdriver to see if he can add a small motor, as he waits for Caleb to show, hoping he's not too mad about missing another car day.
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He lets himself in with a cursory knock, the exact same way he always does. Michael's feelings meet him on the sidewalk, so he knows exactly where he is, and he's not in bed, which is amazing.
Caleb immediately feels guilty for that thought. He knows Michael's trying. He can feel it. It's slow, and timid, but it's there, pushing through the tightly packed soil that his trauma has laid down around him. But it is exciting, that Michael's already up and moving around.
"Hey," he says, utterly unaware of how he looks right now: well-kissed.
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He's still not quick to speech outside of Alex, but he can manage. Alex is out, though, with Luke, and that gives them run of the apartment. "Still wanted to hang out, huh?" he jokes, and shifts to move some of the parts from off the couch beside him.
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"What're you working on?"
His phone is still in his hand, and he taps out another quick reply to Rosie before setting it on the coffee table.
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It'll be the first time that he's showing Caleb how the pieces knit together as soon as they're close.
"I figure, if this works, I can replicate some drone technology that sort of blends in, also works much smaller. I gotta figure out the engine, though, to give it boost."
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Even after working with Michael on the car, and working at the shop for the past two months, he only has a limited knowledge on engines themselves. Something small enough to propel a drone is... not within his purview.
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He settles it back and grabs his notebook and pencil to sketch a few more notes down, his head bowed and working on it as he gently lets the drone fall back.
"Would you buy it?" he asks, absently, not looking up.
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Of course, that depended on how sturdy the drones ended up being, and how affordable, too, but he doesn't say that just yet.
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Man, he really went and surrounded himself with a bunch of nerds, didn't he? Shame he loves them with all his heart.
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"Um, yeah," he says. "It'd make it so much more authentic!"
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"What's going on with you?" he asks. "You're all...happy."
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He's not sure he's willing to chalk it up to Clint being there, or their impromptu make-out session, but he'd be lying to himself if he said it didn't contribute a little bit. He's just a little surprised Michael'd noticed.
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He gives him a look, waiting, expectantly. "Was he also over last night?" he asks, when he doesn't seem to be getting much to work with.
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It's also the most normal he's felt in a very long time.
"And you always fondle your lips when you're thinking about science?"
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"It was an art project, and—" Fuck, he has to tell him. "And we just— we kissed a little. A lot," he corrects, and he's waiting for the smug 'I told you so' to start.
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After all, he and Alex kiss a hell of a lot all the time.
"And? How'd you do?" he asks. "Not the kissing, you know what I mean," he says, nudging at the whole 'did your emotions stay in check'.
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"It— that part was fine," he admits. "Kissing is... I can handle it, as long as, y'know. We both start out on the same page." As long as neither of them is gunning to take it further, he means.
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He also notices that Caleb's here.
"So he came over this morning, you were kissing, but now you're here at my place. That bad?"
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He explains it to Michael as well as he can: that he hadn't invited Clint over with any plans to make out, that it'd been this dumb wrestling match like any TV movie. That he'd liked kissing him, but then his phone alarm had gone off, warning him it was time to head to the shop, and... well. By the time he'd gotten Michael's voicemail, it'd felt weird to think about going back to the apartment, to chance facing Clint and going back to that moment.
"I didn't hate it," he says. "But... I dunno, like... I feel guilty?"
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He gets the feeling though that he doesn't have that sense of closure with Adam.
"You know you're allowed, right? There's no guarantee that Adam's gonna come here."
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"I mean, I know. And, and my friend Rosie said that maybe, y'know, I'm actually still back there, too? Like, some people have told me that time stops there, or that I'll get back the moment I left from, so it's like I was never gone, but she was saying that maybe it's like... one of me came here, and the original me stayed there? So... I'm still with him. He's still with me. And. And that's good, right? It's not... y'know... cheating, or whatever, if I'm actually still there?"
He has no idea if that makes sense. He hopes it does. He hopes Michael gets it, that he agrees, confirms Caleb's thoughts.
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"So, then, if it felt good, then why not do it some more?" he says, since that feels like the reasonable next step out of all of this.
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