Caleb Michaels (
greatamazingfeelingsboy) wrote2020-02-01 04:41 pm
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"I have a couple hours before work tomorrow. You can come over?"
That's how it starts. Clint needs some help on an art project, and Caleb isn't an artist by a long shot (which he warns Clint about plenty), but he does remember all the stuff he and Chloe talked about, and when Clint hears that, he seems to think it's enough knowledge for Caleb to be helpful.
So, on Saturday morning before Caleb goes to the shop, Clint comes to the apartment. Caleb has double- and triple-checked that the spare room door is locked. He's covered anything that gives off too much of its own light (which is so weird, and so cool), and on top of installing the locking doorknob, he'd also installed privacy stripping along the bottom.
He won't let Michael's secret get out. Not after everything.
Clint and Caleb are sitting on the couch. There's some TV show streaming on FilmFix while they work. On the coffee table in front of them is a box of Sharpie markers in all sorts of colors, a sketch of Clint's idea, and the final piece he's going to be inking.
"I feel like you should've sprung the extra few bucks for actual art markers," Caleb says. "You're not gonna get shit done for shading with these."
Clint rolls his eyes, but laughs.
"I'm not planning on shading," he says. "I want to do something flatter, y'know? Starker. Something that'll stand out from the rest of the class."
Clint doesn't want to go to art school, but he has ideas about art that a lot of the more pretentious kids in their grade don't seem to. He's talking about it now, and Caleb should be listening, but instead, he's losing himself in the rhythm of Clint's voice. He's drawn into the heady, exciting swell of the passion Clint's feeling. Clint is gesturing as he speaks, voice rising when he starts to get enthusiastic, and lowering again when he feels self conscious. It's adorable.
Caleb's starting to stare, he knows it, so he clears his throat and tries to deflect with a joke.
"Don't you think you stand out enough already?"
"Why, 'cause I'm queer, or 'cause I'm black?" Clint asks. There's a kind of wry, challenging smile on his face, and now it's Caleb's turn to roll his eyes.
"No? Dude, you know that's not what I meant," Caleb says, and pelts a marker at Clint's chest.
"No, I really don't," he says, all faux innocence. "Tell me, Michaels, how do I 'stand out enough already'?"
Caleb feels caught. Clint's playful joy is floating on butterflies that are becoming way too familiar, way too comfortable, in Caleb's ribs. He feels his face heating, and he tries to laugh it off.
"I just— hello, you're the star quarterback. Literally every girl in school that isn't a lesbian wants to date you."
"Yeah, well, it's not the girls I'm interested in," he reminds.
The butterflies surge again. Clint's watching him with dark, hopeful eyes. He doesn't feel the hope, but he can see it. Clint doesn't dare to hope, Caleb realizes. He shakes his head and looks at the project in front of them. He can feel Clint watching him, and he needs to get this back on track before something happens.
"Here, gimme that marker back, I'll start the outline," he says, reaching for it.
"Nah, it's mine now," Clint says. His amusement rises up and crystallizes when Caleb looks at him. "Shouldn't have thrown it at me," he points out, and Caleb rolls his eyes and laughs.
"Dude," he argues, and reaches for it again.
Clint jerks it out of his reach, and when Caleb reaches for it again, tucks it behind himself. Caleb huffs a disbelieving laugh. He stretches to reach around Clint's other side. Clint laughs and twists to dodge.
The ensuing struggle is ridiculous, but Clint's joy is contagious as they wrestle for the marker.
Caleb's not sure how, or when, it happens, but he finds himself leaning over Clint, his arm pinned beneath Clint's body, their fingers tangled around the marker. Their breath is coming faster, heavier, from the exertion of their weird little wrestling match, but they're staring at each other.
For a long, weighty moment, Caleb is reminded of Sadie Hawkins, and leaning over Adam, and how he'd had no idea how close they'd come to kissing. This is different. He can tell, now. He recognizes the feeling that says 'I want to kiss him' in a way that he hadn't back then.
But he still doesn't know what to do about it.
Clint does. He stretches up, pressing his lips to Caleb's like he knows exactly what he wants.
* * *
Caleb doesn't know how long they spend kissing. But when his work alarm goes off, telling him to get his ass to the shop so he isn't late, he jerks back. Clint's surprise settles next to his own, making his heart pound all the harder, and with a curse he turns to grab his phone off the coffee table.
"Fuck, I gotta go," he says. Clint's disappointment paws at him. "I'm gonna be late," he explains, scrambling off the couch. "Um, just... Lock up when you leave, okay?"
"Caleb—" Clint tries, but Caleb's already rushing to the door.
"I'll see you on Monday!" he says, letting the door fall shut behind him.
He's a fucking coward, but he really is going to be late for work.
That's how it starts. Clint needs some help on an art project, and Caleb isn't an artist by a long shot (which he warns Clint about plenty), but he does remember all the stuff he and Chloe talked about, and when Clint hears that, he seems to think it's enough knowledge for Caleb to be helpful.
So, on Saturday morning before Caleb goes to the shop, Clint comes to the apartment. Caleb has double- and triple-checked that the spare room door is locked. He's covered anything that gives off too much of its own light (which is so weird, and so cool), and on top of installing the locking doorknob, he'd also installed privacy stripping along the bottom.
He won't let Michael's secret get out. Not after everything.
Clint and Caleb are sitting on the couch. There's some TV show streaming on FilmFix while they work. On the coffee table in front of them is a box of Sharpie markers in all sorts of colors, a sketch of Clint's idea, and the final piece he's going to be inking.
"I feel like you should've sprung the extra few bucks for actual art markers," Caleb says. "You're not gonna get shit done for shading with these."
Clint rolls his eyes, but laughs.
"I'm not planning on shading," he says. "I want to do something flatter, y'know? Starker. Something that'll stand out from the rest of the class."
Clint doesn't want to go to art school, but he has ideas about art that a lot of the more pretentious kids in their grade don't seem to. He's talking about it now, and Caleb should be listening, but instead, he's losing himself in the rhythm of Clint's voice. He's drawn into the heady, exciting swell of the passion Clint's feeling. Clint is gesturing as he speaks, voice rising when he starts to get enthusiastic, and lowering again when he feels self conscious. It's adorable.
Caleb's starting to stare, he knows it, so he clears his throat and tries to deflect with a joke.
"Don't you think you stand out enough already?"
"Why, 'cause I'm queer, or 'cause I'm black?" Clint asks. There's a kind of wry, challenging smile on his face, and now it's Caleb's turn to roll his eyes.
"No? Dude, you know that's not what I meant," Caleb says, and pelts a marker at Clint's chest.
"No, I really don't," he says, all faux innocence. "Tell me, Michaels, how do I 'stand out enough already'?"
Caleb feels caught. Clint's playful joy is floating on butterflies that are becoming way too familiar, way too comfortable, in Caleb's ribs. He feels his face heating, and he tries to laugh it off.
"I just— hello, you're the star quarterback. Literally every girl in school that isn't a lesbian wants to date you."
"Yeah, well, it's not the girls I'm interested in," he reminds.
The butterflies surge again. Clint's watching him with dark, hopeful eyes. He doesn't feel the hope, but he can see it. Clint doesn't dare to hope, Caleb realizes. He shakes his head and looks at the project in front of them. He can feel Clint watching him, and he needs to get this back on track before something happens.
"Here, gimme that marker back, I'll start the outline," he says, reaching for it.
"Nah, it's mine now," Clint says. His amusement rises up and crystallizes when Caleb looks at him. "Shouldn't have thrown it at me," he points out, and Caleb rolls his eyes and laughs.
"Dude," he argues, and reaches for it again.
Clint jerks it out of his reach, and when Caleb reaches for it again, tucks it behind himself. Caleb huffs a disbelieving laugh. He stretches to reach around Clint's other side. Clint laughs and twists to dodge.
The ensuing struggle is ridiculous, but Clint's joy is contagious as they wrestle for the marker.
Caleb's not sure how, or when, it happens, but he finds himself leaning over Clint, his arm pinned beneath Clint's body, their fingers tangled around the marker. Their breath is coming faster, heavier, from the exertion of their weird little wrestling match, but they're staring at each other.
For a long, weighty moment, Caleb is reminded of Sadie Hawkins, and leaning over Adam, and how he'd had no idea how close they'd come to kissing. This is different. He can tell, now. He recognizes the feeling that says 'I want to kiss him' in a way that he hadn't back then.
But he still doesn't know what to do about it.
Clint does. He stretches up, pressing his lips to Caleb's like he knows exactly what he wants.
Caleb doesn't know how long they spend kissing. But when his work alarm goes off, telling him to get his ass to the shop so he isn't late, he jerks back. Clint's surprise settles next to his own, making his heart pound all the harder, and with a curse he turns to grab his phone off the coffee table.
"Fuck, I gotta go," he says. Clint's disappointment paws at him. "I'm gonna be late," he explains, scrambling off the couch. "Um, just... Lock up when you leave, okay?"
"Caleb—" Clint tries, but Caleb's already rushing to the door.
"I'll see you on Monday!" he says, letting the door fall shut behind him.
He's a fucking coward, but he really is going to be late for work.
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It wasn't that clear, not exactly. It was more like his perception of Michael's feelings had heightened and crystallized, to the point that Caleb's understanding of them became borderline telepathic. And that's not something his ability can do, he's certain of that. Even with Adam, it'd never been that clear.
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"I could always feel Max or Iz when I was in pain, and the others at the prison before here," he says, skipping over that quickly. "Maybe that happened with us, somehow."
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He gestures between them and continues.
"Like, right now, I can feel you're totally not comfortable with this conversation, and I know that it's because it's unfamiliar territory, not because of anything I'm doing wrong. Before, it wouldn't be like that. I'd just know 'shit, Michael's uncomfortable,' but not the why, and I'd just assume it was something I did, and I'd try to fix it. I mean, I still want to fix it, so you're not uncomfortable, but only so you're not uncomfortable. Not because I feel guilty or, or uncomfortable, too."
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"So what I'm hearing is that maybe I should be more cautious about being around Alex when I'm here," he quips, trying to turn some of this into a joke, because that's just what he does, all the while his brain is puzzling the problem and trying to make something of it.
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"Uh, please, yes," he confirms.
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And his other friends, well, he feels guilty about bringing it up.
"Things haven't been ah...happening, lately."
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"I guess? I mean, Alex is still just every bit as handsome and hot as ever," he points out, and even though that would normally get him going frequently, right now, it just..."
It doesn't make him want to push and pounce. Maybe it's the physical ache, maybe it's the grief, but either way, something's going on and it's not letting them have any time. "Maybe it's just things changing. We're turning into that old married couple before we even get married."
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"Maybe... maybe you just need time," he says. "You're still healing, y'know? In more than one way."
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"It's probably wrong to ask you to find out if Alex is sexually frustrated because of this, huh?"
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He'll get better. He has to.
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He wants to ask how Michael's doing. He's avoided that question since the beginning, if only because every time Michael or Alex ask him, he feels himself getting a little prickly — he's fine, really, he's just trying to take care of his friends at this point. He knows if he asks, Michael's feelings will answer him more clearly than his words, even if he tries to brush it off. But he also knows that there's a chance he'll get frustrated if Michael isn't honest. Caleb is still learning how to balance his own anger, and knowing when he's being lied to doesn't really help.
So he doesn't ask, just leans in and lets their shoulders bump gently.
"But, if you do, then... there's nothing wrong with that, y'know?" He doesn't want Michael to feel ashamed if that's the case. Trauma can fuck with the body, he knows that now, better than almost anyone he knows.
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"That Alex and I are cosmic," he guarantees, "and we'll work ourselves back to each other and my brain and body will remember how furiously smoking hot he is."
Because fuck, he wants more of those heated kisses that land instead of just fizzle out, making him feel worthless.
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"I believe you," he assures. He thinks about how the purple they make together, even after the kidnapping. It's still there, still as strong as ever. Not even his parents' feelings do that. "You guys just... I really think you're meant to be together."
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He breathes out and settles the notebook away, clapping Caleb's shoulder. "I know this is probably gonna make you sad or something, but I think I'm about done for my people time for today."
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"Thanks," he says, soft as anything, but truly meaning it.
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More often than not, when they've done this lately, Caleb lets Michael decide how they're going to lay, and he just sort of acts like a giant teddy bear until Michael settles, then snugs him close into whatever position they end up in. He does that again today, waiting until Michael's situated them how he wants them, then snuggling up close so that Michael can feel the physical comfort of someone he trusts.